Christopher Nolan’s The Odyssey offers up a strangely bloodless and dour vision of Homer’s lively world of men and gods ...

Balls of Fire. This year’s edition of the Italian festival devoted to restored and rediscovered films brought the hea ...

Robert Daniels joins to discuss festival highlights Dao, The Hanging of Stuart Cornfeld, 3 Weeks After, and more ...

Critic Pavel Sladký and programmer Irena Kovarova kick off our coverage from the Czech festival’s 60th edition ...

Critics Robert Daniels and Guy Lodge join to discuss a pair of buzzed-about Bulgarian films and other highlights from the ...

Perhaps best known as the host of Ways of Seeing, the 1972 BBC program that introduced a generation to the ideological analysis of visual art, John Berger was one of the most important writers of the ...

The group moves into the song’s funereal chorus—“Glory-O, Glory-O, to the bold Fenian men”—after a cut to a wide shot reveals them less huddled together than lined up, one by one, along the length of ...

Cannes 2026 is nearing its close, but the Film Comment crew has not slowed down one bit as we continue to cut through the noise with dispatches, interviews, Podcasts, a special Cannes Critics’ Grid, ...

Invigorated as I was by the conceptual prowess of Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, my one major reservation is that I simply didn’t have that much fun—at least not as much as I ...

Cannes 2026 is in full swing and the Film Comment crew is on the ground, cutting through the noise with dispatches, interviews, Podcasts, a special Cannes Critics’ Grid, and much more. This year’s ...

Writing about Monte Hellman’s 1966 deathtrip Western The Shooting in the pages of FILM COMMENT in 2000, Chuck Stephens refers to the name of Warren Oates’s character, “Willet Gashade,” as “a moniker ...

Writer-director Trey Edward Shults’s feature debut unfolds almost entirely within and around a spacious suburban Montgomery, Texas home, a single location that Shults renders a maze of chambers where ...