The Omaskêko Cree artist ties the well-being of the animals to that of the Indigenous people with whom they have long lived symbiotically — not in nostalgic terms, but in futurist ones.

Acknowledging Indigenous survivance is a start, but there's a critical need to turn recognition into tangible action.

Aruna D’Souza is the author of Whitewalling: Art, Race & Protest in 3 Acts and Imperfect Solidarities, editor of Linda ...

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The PMA is now PhAM, with a new logo that critics say evokes a football club, athleisure, or “some kind of Cold War monstrosity.” ...

Pepperdine University abruptly closed the show as at least a dozen artists asked to withdraw in protest of what they called ...

The National Portrait Gallery said it decided to “proactively postpone” the Outwin Competition show ahead of a prolonged ...

The artists profiled in Grand Finales refused to consign themselves to what the author calls “Little-Old-Lady-Land,” and opted to keep searching, pushing, and trying new things.

For the gender-bending artist, size matters — just not in the way you think, suggests a new survey at MoMA PS1.

Four exhibitions currently up in Chicago each take a unique approach to the possibilities of working with textiles today, ...

Celebrate Rauschenberg’s 100th birthday by visiting a new exhibition of his photographs at the Museum of the City of New York ...

Join Hyperallergic staff, contributors, friends, and fellow Hyperallergic and Francis Kite Club Members on October 29 to show off your most convincing rendition of Munch’s “The Scream” or creature ...