Not much is said on the father-daughter hiking trip that takes place in India Donaldson’s slow-burn drama Good One, but it’s the silences that tell us most about the growing rift between parent and ...

Before Lost in Translation there was Tokyo Pop, which – after decades in rights limbo – is now restored and ripe for reappraisal. We speak to director Fran Rubel Kuzui (Buffy the Vampire Slayer) about ...

The Final Destination franchise has had many unconvincing endings, but the latest resuscitation of the series is filled with gallows humour and fan-friendly callbacks, including the infamous logging ...

It made the Observer film critic laugh until her ribs ached, but its scenes of women fighting and men licking their lips caused trouble with the 1940s censors. Curator Josephine Botting digs into the ...

The redesigned digital programme experience will be integrated with our third-party box office and ticket booking platform, and is underpinned by a new content management system, tailored to the ...

As indie gem Good One wanders into cinemas – right in the middle of National Walking Month – we hit the trail in search of 10 other films that capture the joy (and terror) of hiking.

In 1951, the Swedish actress and soon-to-be groundbreaking director – who was born 100 years ago this May – wrote about the craft of film acting, and especially its relationship to stage acting.

A world exclusive interview with Tom Cruise Inside: The latest edition of Black Film Bulletin, Wes Anderson on The Phoenician Scheme, The career of Mai Zetterling, the legacy of the Film Society, arch ...

In this playful performance film, Icelandic singer Emilíana Torrini performs a set of songs inspired by a collection of real-life 1960s love letters discovered after the recipient’s death in 2018.

It may not feature physical violence, but India Donaldson’s patient story of a teenage girl enduring the petty disputes and selfishness of her father and his best friend during a three-day hike is its ...

The BFI Fellowship recognises Cruise’s achievements as an extraordinary, versatile actor and his huge contribution to the UK film industry as a producer.

The French director’s mid-length homage to his own filmmaking presents a funny and provocative collage of cinema history, politics, and artistic introspection.